The process involved a steel key plate and a number of wooden and metal colour blocks. The image was first engraved onto the key plate which was laid onto the paper to leave a monochrome image; blocks were then produced with the same image each representing a different colour. Each individual block was inked and added to the paper in a prescribed order. Baxter was a perfectionist taking time to ensure each colour was dry between pressings, resulting in only two colours being applied each day.
Baxter’s most detailed and complex scenes are the most sought after and valuable today. The scene of ‘Her Most Gracious Majesty Queen Victoria receiving the Sacrament at her Coronation’ showing the Queen kneeling at the altar before the Archbishop of Canterbury, which he was invited to capture by Prince Albert himself, is one of Baxter’s most famous and contained over two hundred recognisable faces. The full coloured version took him years to complete and wasn’t published until 1841, three years after the coronation.
Originally Baxter’s prints were used for frontispieces in books but quickly a market for his prints in their own right developed. Between 1835 and 1860 he produced approximately 400 different prints but his attention to detail made him slow, he regularly missed deadlines including those of International Exhibitions and this combined with his lack of business expertise lead to bankruptcy by 1865.
Senior Valuer Michael Dowse
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