Recently, while discussing cars I have owned with a friend, I was reminded of a 1995 Land Rover Discovery I was driving in 1997 when we spent one of the worst holidays of our married life somewhere in the middle of France. My wife ended up in hospital 40 miles away from our cottage for the whole of the second week, our youngest wet the bed and we had to buy a new mattress and on the way home we learnt of Princess Diana’s demise. I still, however, love France and particularly French paperweights.

The French glasshouses of Baccarat, Clichy and St Louis were responsible for some of the finest and most inventive paperweights produced between 1845 and 1860. A limited number of English paperweights were made at about the same time at George Bacchus & Sons in Birmingham and examples of these in good condition can often realise high prices.

The main types of decoration are millefiori meaning “thousand flowers” and lampworking. Millefiori requires glass rods or canes arranged concentrically, formally or randomly before being cut and imbedded within clear glass. Those that include silhouette canes featuring animals and birds are always at a premium, as are dated examples.

Lampworking involves individually sculpted flowers, butterflies, fruit and reptiles, including snakes, made in coloured glass using a direct heat source before being captured in glass. Some of the most desirable weights are then overlaid with white and or coloured glass and facet cut to reveal the design inside.

The condition of a paperweight is important. Bruises and chips will make a paperweight undesirable to collect and therefore they will limit its value. Size is also important, in particular magnums at 10cm and miniatures, which are less than 5cm, are the most popular with collectors.

Senior Valuer Michael Dowse

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