Goss China

Carrying out chattels valuations sees me traveling all over the region and last Saturday I was in the beautiful Cathedral town of Ripon (where £2.00 sees you safely parked for 24 hours) to visit the property of an older lady who has now gone into a home. This lady loved her Goss china, but sadly she is in the minority these days. Could this be the time to invest?

William Henry Goss was chief designer at the Spode works in Stoke-on-Trent by the time he was twenty-five, but he was not happy and decided to branch out on his own.In the 1880’s, Williams son, Adolphus, joined the company. He was no potter, but he was an ideas man with a flare for marketing. His father had been producing specially commissioned commemorative pieces bearing heraldic emblems and he saw an opportunity to expand.

Adolphus realised that such wares would make great souvenirs for the mass market who, taking advantage of increased wages, were taking more holidays and day tripping on the growing railway network. He worked his way round the country over the next 20 years making contacts until he had a network of more than 1000 local agents. Each agent was responsible for promoting their local coats of arms which could be put on up to 600 small, mass produced named models. The local agents could ask for their symbols to be placed on just about anything.

Goss also produced a popular series of hand painted buildings, known as the Goss Cottages; examples included Shakespeare’s House and Robert Burns’ birthplace. However the heraldic crested wares still made up the bulk of the company’s sales. These wares became less popular after the First World War and in 1929 the Goss family sold out to a competitor Arcadian China.

Standards slowly fell and eventually the factory closed in 1944.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

Hummel Figures

To the collector the value of their collection is often the last thing thing they are concerned about and I have often thought that an ideal subject for a new collector would be the charming Hummel figures of children. They can be acquired at reasonable cost and they are a vast and interesting subject.

These endearing figures were developed from drawings by a Franciscan nun Berta Hummel drawn for the Goebel Company in Bavaria. Introduced in 1935 Hummel’s figures were an instant success. By the time she died in 1946 she had drawn around 600 sketches, which was enough to keep the company producing Hummel figures for decades.

Hummels from the 1950s and 1960s are the cheapest on the market. Earlier pieces, groups and larger figures are more desired and so more expensive. The more recent or common a figure is, the more vital the condition becomes in determining value.

Many of the figures are made in more than one version. For example, “Weary Wanderer” was first produced in 1949 but has been made regularly ever since. The rather rare version with blue eyes is more valuable than all the others. Also “Puppy Love” which is one of the first models to be produced and therefore rare and valuable still has a rarer and even more collectable example which faces right instead of left.

Factory marks help in dating Hummels. During the 1930s the firm used a script “Goebel” mark under a crown. After 1950 a “V” mark with a small bee was used and from 1960 the bee became further stylised as a simple dot with triangular wings.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

Buttons

As is usual over Christmas I have gained quite a few pounds and as is usual for January I am dieting. Things, however, are not going as well as in previous years and I have had to resort to moving the button which fastens my work trousers by a number of centimetres. This in addition to causing me heartache has made me ponder the button.

Buttons have always been used for fastening and decoration. They have been discovered in Egyptian tombs and over 15,000 have been found on a Court costume belonging to Henry VIII. However button making took on a new dimension in the 18th century with Dandies sporting ornamental buttons up to 4cm in diameter and handmade buttons produced in anything even fine porcelain.

The 19th century saw the growth of mechanisation and Birmingham became the centre of the industry and exported buttons all over the globe. Metal buttons were popular for uniforms and servants’ liveries while better buttons like silver and enamelled examples were enjoyed by the upper classes. These better buttons were often detachable for laundry purposes and some came in handsome cases.

Victorian and Edwardian fashions stimulated button demand leading to special examples being made for boots, gloves and even underwear. Queen Victoria’s grief at the death of her beloved Albert stimulated the demand for mourning dress and black buttons.

The development of colourful plastic buttons happened in the 20th century.Those produced were often large with strong colours and geometric shapes common in Art Deco design. Sadly for the button producers the introduction of the zip and other boring but effective fasteners saw a decline in the demand for the button. Hold this space though as I am reliably informed by the large and vocal female side of my family that once again the button is the height of fashion. What better time to start a collection.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

Eric Ravilious

I adore Christmas and New Year beyond measure, but I also adore getting back to work. I love the anticipation and excitement, wondering what I will see next, who I will meet next, what stories will there be to tell of 2020. In 2019 we sold a commemorative mug for the Coronation of King George VI in 1937. Coronation mugs usually make just a few pounds if we are lucky, but this one made £650. Why? Because it was designed for Wedgwood by Eric Ravilious.

Eric Ravilious was a very interesting man and his work is well worth collecting. He was born in 1903 and brought up in Sussex, where his parents ran an antiques shop. In 1919 he won a scholarship to Eastbourne School of Art and then in 1925 another scholarship to travel in Italy. I have never won a scholarship so am in awe of anyone who does, but anyone who wins two……

Returning from Italy with a glowing tan and a great deal more life experience Eric held his first exhibition of watercolour drawings in 1933 in London. He sold over 50%. His second exhibition at the same gallery in 1936 saw him sell 75%, an incredible success. During the 1930s Eric was staunchly anti fascist, so in addition to his own exhibitions, he lent work to the ‘Artists Against Fascism’ exhibition.

Eric was engaged as a war artist by the War Artists’ Advisory Committee in 1939 and between then and being lost in action in September 1942 he produced some of his best work. The body of Eric Ravilious was never recovered.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

The process of selling at auction

With Christmas now out of the way, you’re probably due a clear out! Why traipse to the local car-boot sale and stand out in the cold when we can do it all for you….

Have you ever wondered about selling your treasured possessions or family heirlooms at auction, but have never done so before because you don’t know how to?

It doesn’t have to be complicated or daunting. Read on to follow the simple process here at Sheffield Auction Gallery…

  1. Can you bring your item(s) to us or do you require a Valuer to come to you?
    • Our Sheffield Saleroom is conveniently located just off the A61 (Chesterfield Road) at Heeley next door to the Heeley Retail Park. We have a carpark and are fully disabled accessible. If you have items of a Specialist nature, it’s worthwhile ringing us on 0114 281 6161 to make sure a Specialist Valuer is available to see you. Generally, valuation days are Jewellery on Mondays and all other items Tuesdays, Wednesdays & Thursdays from 10am to 4pm and and one Saturday per month 9am to 12pm for all items.
    • If you can’t come to us, please call 0114 281 6161 to arrange for a Valuer to come to you. Alternatively you can email us – enquire@sheffieldauctiongallery.com
    • Is there a closer location to you than our Sheffield Saleroom? We host many free valuation events around the region, please see our website to see where we are going… https://sheffieldauctiongallery.com/valuations.htm
  2. Our Valuer will initially advise whether your items are saleable, what their estimated auction value is, whether you would like to set reserves on them and finally which auction(s) they are most likely to go into. The Valuer will make all charges/fees clear to you at this point. Your items will then be securely stored in our building until the week prior to the auction.
  3. The week prior to the auction, we will send you a “pre-auction notification” reminding you that your items will be offered in the next auction, this will state the estimate/reserves you agreed with the Valuer.
  4. If your item(s) sell, we will send out a cheque to you in the post, generally 2 to 3weeks after the auction, with all charges already deducted. If your item fails to sell, we normally will re-offer them in the next suitable auction, with the original estimate halved. (You will be notified of this by a subsequent pre-auction notification as above).

See; that wasn’t complicated was it?

We have a full range of auctions through the year, which include our fortnightly Antiques & Collectables Auction, a monthly Saturday Household Auction and a range of Specialist Auctions which can be found on our website. If you have more valuable items, we also have our signature Antique & Fine Art Auction and Silver, Jewellery & Watches Auction which are usually 3 to 4 times per year.

Next time; we’ll look at the process of “buying at auction”

We hope to see you soon!

Reminiscing; continued…

Christmas is over for another year and as the tree comes down my thoughts return again to all those highlights our valuers gave me when I asked, as we used to ask our children after a holiday, “what were your best bits”.

Our man who knows more about toys than any I have met, John Morgan, has a coat which buttons up over a number of specialisms in addition to toys. One is militaria and he got very excited about a “dirty dozen watch” he sold for £12,000. So excited in fact that a special article is needed later in the month to tell its story. Sometimes, as John rightly says, it’s the vendor we fall in love with as much as the item they are selling. Like the professional aircraft engineer who in his spare time made the most amazing model engines we have ever sold. Lots like that just don’t come along very often.

A WWII Era Dirty Dozen Military Watch The Grana signed dial with Arabic numerals and second subsidiary dial in plain stainless steel case stamped W.W.W M18244 to case back to later expanding bracelet.

I have to say I love a good handbag and Janet Webster our ceramics, glass and vintage fashion specialist pointed me in the direction of one gorgeous bag we sold this year with a couple of suitcases. Louis Vuitton, with original receipts from Paris they sold for £3000. We sell quite a few wedding dresses and one this year had the newspaper cutting from “hatches, matches and dispatches” 1939 pinned to it. How wonderful.

To finish; I think everyone knows our furniture specialist Andrew Jameson. He has been studying the cabriole leg and carved knee since he was a boy. As Andrew explained furniture is in the doldrums a little, but quality will always win through. To this end he pointed me to a fabulous quality French kingwood vitrine which sold for £7000 in our last sale of the year.

What a wonderful way to sum up the year- “quality always wins through”

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

Christmas

If I had my way, which in my overpoweringly female household I never do, I would erect our Christmas tree the day before Christmas Eve. This is not a humbug thing, it’s because I think it is the most romantic day of the whole festivities. Looking at the dressed tree is all well and good and we all marvel at its beauty but it is the very act of securing it, lighting it and placing the decorations on it that is Christmas.

I write these words in the hope that my family may read them, be converted and next year reschedule the ceremony. I fear my efforts are in vain however as in addition to not paying attention to any words of wisdom I ever offer, non of my family ever read anything I write.

So, I write this beside a fully decorated, fully lit Christmas tree and I must admit in a joyful spirit of Christmas. As I smell the glorious scent from the needles and bask in wonderful glow from the bulbs I realise that these words will appear in the last edition before Christmas. So what better time could there possibly be to wish every single person who casts their eyes over this missive a very happy Christmas and a peaceful and prosperous New Year.

The year 2019 saw the Dowse dynasty increase by one leading to our Christmas spend reaching new and record heights. Likewise in the saleroom new and record heights were reached which saw us selling more Fine Art, more Antiques and more Collectables than ever.

Perhaps one or two of those collectables may turn up in one or two Christmas stockings. If they do and for some inexplicable reason you don’t like the gift, worry not, we can always sell it for you next year.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

Marbles

In the Forsyte Saga I remember Soames arriving home from a stroll and bemoaning the fact that nobody wore the correct hat for walking in the park anymore. Standards are slipping he said. I wonder what Mr Soames Forsyte would feel about my baseball cap and more to the point what would he think about the fact that nobody plays marbles anymore.

As a schoolboy I loved playing marbles and I worry that today’s child is missing the breathtaking excitement of the roll. However marbles have now become a popular collectors item.

Collectors look for marbles displaying complex patterns, the more complex and colourful, the more valuable. Symmetrical patterns and size also add a premium. Sulphides, which are clear marbles with a figural insert, are amongst the most popular

Probably the most desirable marbles are handmade, mostly German, from circa 1850 until World War One. They were made from brightly coloured glass rods that created swirling patterns of colour. The different patterned marbles created are known by different names including swirls, onionskins and corkscrews.

The telltale sign of a handmade marble is the slightly rough area called a pontil mark. This is the mark left when the marble is removed from the glass rod. It is important to distinguish these from the machine made examples coming from America after World War Two.

Machine made marbles are still very popular today, partly due to the scarcity and expense of handmade examples but also because of childhood nostalgia; many of today’s collectors played with these American marbles when they were young.

Manufacturers to look out for include Akro Agate Company, M. F. Christensen & Son and the Peltier Glass Company, but the exact value of individual marbles can vary enormously. Collectors are also beginning to take an interest in the innovative marble makers of today, especially as the Internet auction market booms.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

Men’s Jewellery

It seems a strange thing to divulge, but with all our grooming, care products and general pampering us men are becoming a little old fashioned. If we look back in time at the 17th and early 18th century male we find him pampering himself beyond belief.

Late 18th century men actually wore as much jewellery as women, but during the early 19th century, following the lead of the popular British dandy Beau Brummell, trends moved towards more simple clothing and minimal jewellery which was restricted to tie pins, cufflinks and rings.

The tie pin was a long decorative pin fastened to the necktie or cravat. The late 18th century examples are shorter than later ones with fairly simple designs, usually with paste or foil backed gemstones in closed settings. Later the Victorians enthusiasm for novelty was shown in tie pin designs with sporting and hunting motifs as well as patriotic and political emblems becoming popular.

Cufflinks were introduced in the early 19th century and were as popular amongst women as they were amongst men.The design trends generally followed those of the tiepins. The best quality cufflinks are thought to be those produced in the early 19th century, usually 15ct. or 18ct. gold with fine detailing. Later ones had their gold content reduced to 9ct. and were mass produced. In the late 19th century cufflinks were often sold in a sets with matching buttons and press studs.

The most popular rings worn by men were seal or signet rings, originally used for authenticating documents by impressing the seal in wax. Signet rings made before the late 19th century tended to be set with a semi-precious stone and carved with a Coat of Arms or monogram. After the late 19th century these rings became a much simpler 9ct. gold band engraved with a monogram and mass produced almost exclusively for the expanding middle class market.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

Toy Soldiers

Last weekend, while Christmas shopping for our many grandchildren, I treated myself to an Airfix (other manufacturers are available) Supermarine Spitfire kit. This came complete with paints, brush, Poly cement and (hopefully) detailed instructions on construction. It is suitable for ages in excess of 8 years, which amply covers me, so I thought why should the grandchildren have all the fun.

As a boy I built many of these delightful models. I felt the glorious pull of nostalgia when I bought the model, which is exactly what our mature toy collecting customers feel when they attend our toy auctions. One thing that really pushes the nostalgia button is a toy soldier.

The first commercial toy soldiers were produced in the mid 18th century on the continent, especially in Germany. They were small, solid, flat and made of lead. By the beginning of the 19th century the lead soldier was becoming more rounded in figure and production was centred on France and Germany.

Throughout the 19th century demand increased and production spread, although still mainly in Europe. But all was soon to change. A very clever Englishman called William Britain developed the hollow cast lead soldier in the 1890s. This sparked what can only be described as a toy soldier revolution as all the continental models lost favour.

The battle of the toy soldier continued however up to World War Two, with Germany, France and Italy still producing this solid model and William Britain and his fellow British manufacturers producing their hollow cast version.

Production stopped during World War Two and when the War was over experiments began with plastic. Production of the lead models ceased in 1966, with legislation regarding the lead paint and strangely enough that is when collecting hollow cast lead soldiers started to become fashionable.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website