Children’s Books

As a young father, many years ago, one of my greatest joys was reading bedtime stories. I actually loved most of the stories, but really, really loved the voices I invented for all the characters. I thought the children all loved the voices too, but, as with so many things in life, I was wrong, they did and still do, love the stories though.

I think loving the stories so much is why the children’s book is always so popular in the saleroom. They are timeless and nostalgic and collectors love them. There are only so many that sell for high prices though.

If you are lucky enough to possess a first edition of Harry Potter and the Philosophers Stone this is a valuable item. When Bloomsbury came to print it in 1997 they feared they would make a loss and the print run was very small. The perfect scenario for a marvellous investment, a rare book with a big future demand. Further print runs were needed for that book and so future Harry Potter books had enormous first print runs. The investment opportunity was never repeated.

From the modern to the Victorian. Lewis Carroll’s Alice in Wonderland was first published by MacMillan in 1865 with illustrations from Punch cartoonist John Tenniel. Carroll’s classic is constantly inspiring illustrators to rework the story. Many collectors collect for illustrators and will follow the same story through its many different versions.

Book sales can be hugely influenced by a film version of the said book and this effect can feed into demand for first editions of related titles. For example Tolkien’s Lord of the Rings and a signed first edition of the precursor to the trilogy, The Hobbit, breaking auction records

Those are just three examples which hopefully illustrate three different ways a book can have value.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering in auction, or you simply would like a valuation, please get in touch with us, full details can be found on our company website.

Duesbury Derby

When John Noakes was a presenter on Blue Peter it was one of the finest periods in the history of Blue Peter. When Jaguar produced the E-type Jaguar it was one of the finest periods in their history and when Kellogg’s Rice Krispies first snapped, crackled and popped onto the shop shelves in 1928 many said it was the best period for the Kellogg company.

Every company has its finest period and the same can be said for the Derby Porcelain Factory.It all began in 1786 when William Duesbury the younger succeeded his father and steered the factory through its best and most significant period. The young William was a multi talented man. He possessed a wonderful eye and an enviable appreciation of the artistic, but almost as important were his very effective managerial skills. Production was aimed at only the wealthiest customers with every piece finished to the very highest standard.

Derby specialised in cabinet wares, particularly cups and saucers or cabaret sets (too expensive to use and produced simply to be admired). Derby’s glaze was creamy white and very soft, producing a delightful and subtle feeling, unlike other English porcelain. Consequently the demand for Derby of this period today is higher than many other porcelains.

The decoration in panels or reserves was created by some superb artists including Zachariah Boreman and Thomas Hill focused on landscapes, Richard Askew famous for figures and William Billingsley, the greatest of all English flower painters. Derby rediscovered the charm of botanical designs and flower prints were also copied onto dessert services.

Sadly William Duesbury died far too soon, at only 34, but he left a factory which had become one of the finest in Europe.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering in auction, or you simply would like a valuation, please get in touch with us, full details can be found on our company website.


This Christmas , like many people all over the country, my wife and I will be basking in our own company. For us this will be the first time in our married life this has happened. The question on both our lips has been the same. Do we bring out the candelabra?

Candelabra follow the styles of the candlestick, but they are rare before the late 18th century and if found will generally only have two detachable arms. By the end of the 18th century candelabra are more common and fashion dictated that the number of arms found on their detachable tops increased, initially to three but by the middle of Victoria’s reign five, six and more were common.

The three branch candelabra was a common sight by the end of the 18th century. These were tall and they grew in size until their peak in the Regency period. The decoration, as explained, followed the candlestick and around this time decoration of fluting was enclosed by beaded borders.

It is important to ensure that the decoration of the main body matches that of the detachable branches, therefore ensuring the candelabra is all original and not a marriage of two parts. As in life there are good and bad marriages, but with the candelabra ever a top and bottom living together in complete love and perfect harmony will never be as good as a completely original example.

On the early candelabra the branches could be removed and the central stem used as a candlestick. On later examples this dual usage was impossible because the stems grew too high and the nozzles too wide to hold a candle.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering in auction, or you simply would like a valuation, please get in touch with us, full details can be found on our company website.


Recently, while discussing cars I have owned with a friend, I was reminded of a 1995 Land Rover Discovery I was driving in 1997 when we spent one of the worst holidays of our married life somewhere in the middle of France. My wife ended up in hospital 40 miles away from our cottage for the whole of the second week, our youngest wet the bed and we had to buy a new mattress and on the way home we learnt of Princess Diana’s demise. I still, however, love France and particularly French paperweights.

The French glasshouses of Baccarat, Clichy and St Louis were responsible for some of the finest and most inventive paperweights produced between 1845 and 1860. A limited number of English paperweights were made at about the same time at George Bacchus & Sons in Birmingham and examples of these in good condition can often realise high prices.

The main types of decoration are millefiori meaning “thousand flowers” and lampworking. Millefiori requires glass rods or canes arranged concentrically, formally or randomly before being cut and imbedded within clear glass. Those that include silhouette canes featuring animals and birds are always at a premium, as are dated examples.

Lampworking involves individually sculpted flowers, butterflies, fruit and reptiles, including snakes, made in coloured glass using a direct heat source before being captured in glass. Some of the most desirable weights are then overlaid with white and or coloured glass and facet cut to reveal the design inside.

The condition of a paperweight is important. Bruises and chips will make a paperweight undesirable to collect and therefore they will limit its value. Size is also important, in particular magnums at 10cm and miniatures, which are less than 5cm, are the most popular with collectors.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

Chamber Music

With self isolation very much at the forefront of people’s minds at present, this week my thoughts turned to a way of life rather than an artefact. Before the radio, the television, the internet, the telephone, not to mention the mobile phone and the gaming craze whatever did people do?

They invited a few friends round for an evening of music.

In the past chamber music was a private affair in which the privileged few were entertained with sonatas and string quartets. The very wealthy sometimes employed their own composer to write music just for them, but the general public had no access to this wonderful world.

Gradually however, over many years the piano became a more affordable instrument for the middle class family, which in turn encouraged the market for chamber music. Soon the music for piano duets and simple songs was being purchased everywhere. Opera goers could now buy simple arrangements of their favourite operatic arias and perform them at home.

Less popular were the violin sonatas and string quartets as they demanded a high level of musical training. But as the standard of tuition improved, so the demand for instrumental chamber music increased.

In the saleroom today there is always a very good demand for musical instruments and in fact it would be fair to say that in a way the tables have turned since the very early days of chamber music and the piano’s popularity. Stringed instruments are generally speaking much the better seller in the auction room today.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

The process of selling at auction

With Christmas now out of the way, you’re probably due a clear out! Why traipse to the local car-boot sale and stand out in the cold when we can do it all for you….

Have you ever wondered about selling your treasured possessions or family heirlooms at auction, but have never done so before because you don’t know how to?

It doesn’t have to be complicated or daunting. Read on to follow the simple process here at Sheffield Auction Gallery…

  1. Can you bring your item(s) to us or do you require a Valuer to come to you?
    • Our Sheffield Saleroom is conveniently located just off the A61 (Chesterfield Road) at Heeley next door to the Heeley Retail Park. We have a carpark and are fully disabled accessible. If you have items of a Specialist nature, it’s worthwhile ringing us on 0114 281 6161 to make sure a Specialist Valuer is available to see you. Generally, valuation days are Jewellery on Mondays and all other items Tuesdays, Wednesdays & Thursdays from 10am to 4pm and and one Saturday per month 9am to 12pm for all items.
    • If you can’t come to us, please call 0114 281 6161 to arrange for a Valuer to come to you. Alternatively you can email us –
    • Is there a closer location to you than our Sheffield Saleroom? We host many free valuation events around the region, please see our website to see where we are going…
  2. Our Valuer will initially advise whether your items are saleable, what their estimated auction value is, whether you would like to set reserves on them and finally which auction(s) they are most likely to go into. The Valuer will make all charges/fees clear to you at this point. Your items will then be securely stored in our building until the week prior to the auction.
  3. The week prior to the auction, we will send you a “pre-auction notification” reminding you that your items will be offered in the next auction, this will state the estimate/reserves you agreed with the Valuer.
  4. If your item(s) sell, we will send out a cheque to you in the post, generally 2 to 3weeks after the auction, with all charges already deducted. If your item fails to sell, we normally will re-offer them in the next suitable auction, with the original estimate halved. (You will be notified of this by a subsequent pre-auction notification as above).

See; that wasn’t complicated was it?

We have a full range of auctions through the year, which include our fortnightly Antiques & Collectables Auction, a monthly Saturday Household Auction and a range of Specialist Auctions which can be found on our website. If you have more valuable items, we also have our signature Antique & Fine Art Auction and Silver, Jewellery & Watches Auction which are usually 3 to 4 times per year.

Next time; we’ll look at the process of “buying at auction”

We hope to see you soon!