Chintzware

Because of the name’s similarity to the Brothers Grimm, Grimwades Ltd. always makes me think of children’s fairytales, but it is in fact the trade name for Royal Winton, which was based at the Winton Pottery in Stoke-on-Trent and was established in 1885.

The company manufactured a diverse range of tableware and decorative designs in moulded earthenware, including lamp bases, candlesticks and dressing table sets. However it was their Chintzware range of the 1930’s that caught the imagination of the collector and that is what Royal Winton is renowned for today. The pretty, affordable tableware was decorated with all-over floral patterns and produced in large quantities. Chintzware is desirable worldwide with breakfast sets and stacking tea sets being particularly popular with collectors.

There were a multitude of different designs within the Chintzware range, but “Hazel”, “Julia” and “Sweet Pea” are among the most collectable with teapots, biscuit barrels and hot water jugs being popular shapes. Restoration is unacceptable in Chintzware so it is vital to check for damage, cracks and fading as this significantly affects the price. The base of Royal Winton features an impressed mark (for shape), the company mark and a transfer printed mark of the pattern.

The “Sweet Pea” pattern, introduced in 1936, is highly sought after today. It was designed with a pale yellow or chrome tallow ground and a gold or deep blue trim enclosing pink and blue flowers. The flowers are particularly prone to fading and can appear greyish in colour.

Always remember that the value of Chintzware lies in the crisp, clear pattern, the irregular shapes and most importantly the condition.

Senior Valuer Michael Dowse
Senior Valuer Michael Dowse

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

Susie Cooper

Susie Cooper was one of the most successful designers of the twentieth century. Born in 1902, she joined local potter A. E. Gray & Co. Ltd to gain the experience she required to attend London’s Royal College of Art. Initially Cooper was a production line painter, but her talent was quickly spotted and instead of going to London she became a designer at Gray’s.

Cooper was influenced by many artists, but her contribution to the company was highly personal. Gray’s used the factory mark “Designed by Susie Cooper” to identify her work and this early work of flowers and chintzware is still very popular with collectors.

By 1929 Susie Cooper had left Gray’s and set up on her own in premises at the Chelsea Works, Burslem. Products made after her departure from Gray’s are marked “A Susie Cooper Production”. However, in 1931, after interest from Wood & Sons, she moved to a larger studio at their Crown Works and products were then marked with the familiar leaping deer, that is most often associated with her.

The 1930s were the most dazzling years for Cooper and the high demand for her work led to her use of lithography at a time when most firms were still using mechanical decoration.

By the late 1930s Susie Cooper was producing up to 200 new designs a year, featuring banding, polka dots and stylised flowers. Patterns that were both modern and timeless such as “Patricia Rose” and “Endon” were the key to her success, appealing to a far wider audience than the work of many of her contemporaries.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website