Keith Murray

Individual designers were always important and often vital to the continued success of a porcelain factory. This was the case with Keith Murray and the Wedgwood factory.

Wedgwood approached Keith Murray in 1932 offering him a position as a designer in their company. Born in Auckland in 1892, he had emigrated to England in the early 1900s with his parents. He was trained as an architect, which gave him an excellent eye for design and form, and had been working for Powell & Sons’ Whitefriars Glassworks and then the British Glassmakers Stevens & Williams before Wedgwood eagerly took him on board. His first range for Wedgwood came out in 1933 and he designed for them with huge success during the 1930s and 40s. Although few of his pieces were produced in the 1950s and 60s, he remained a consultant for Wedgwood until 1969.

Murray’s designs are now iconic and to many he is considered one of the pioneers of the Art Deco style. He produced designs that were very simple; they were bold, modernist pieces produced with clean lines where form was integral to decoration, clearly drawing from his architectural training and his belief that good design should show common sense. A large number of designs included the ribbing or fluting effects which became a signature style of his.

Murray designed pieces primarily in green, moonstone (white), straw yellow and blue. Blue is a particularly desirable colour, although this colour was often glazed unevenly so good, even examples realise the highest prices but black basalt is by far the rarest and most sought after colour he worked with. He worked with three glazes; matt, semi-matt and celadon satin and almost all of his work was marked with a backstamp; there is both a ‘KM’ mark and a signature mark used.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

Keith Murray and Wedgwood

As a boy my love for the auction room and the pull of the family business was never in doubt. If I had a fallback position, however, it would have been racing driver or architect.

Keith Murray was an architect. He was born in New Zealand. His father was Scottish and had travelled to New Zealand to meet his mother Lillian. The family came to England when Keith was 14 and seven years later he graduated from the London School of Architecture.

Originally work was slow, so Murray began illustrating for magazines. In the early 1930s he designed for Stevens and Williams and his designs were noticed by Wedgwood. Wedgwood were at that time recruiting designers to inspire their production and revitalise their flagging turnover.

In the 1930s Keith Murray designed for Wedgwood for two or three months a year. His designs, although slow to get started, were a triumph. This was largely due to the excellent combination of Murray’s sleek styles and the matt glazes developed by Norman Wilson, Wedgwood’s works manager at the time. The range of vases and bowls were hand thrown and featured incised horizontal fluting or banding. They were glazed in plain matt colours including, the most popular, blues and greens.

Other popular Murray items include the bronze coloured tobacco jar and the rare black basalt coffee set. Collectors just love the undecorated, simple shape Murray is famous for and they fit so well with today’s minimalist styles.

Sadly for the world of ceramics, after World War Two Keith Murray went back to his architecture.

Senior Valuer Michael Dowse

For more information or if you have similar items you’re thinking about offering items in auction or you simply would like a valuation, please get in touch with us, full details can be found on our company website

Keith Murray

Wedgwood approached Keith Murray in 1932 offering him a position as a designer in their company. Born in Auckland in 1892, he had emigrated to England in the early 1900s with his parents. He was trained as an architect, which gave him an excellent eye for design and form, and had been working for Powell & Sons’ Whitefriars Glassworks and then the British Glassmakers Stevens & Williams before Wedgwood eagerly took him on board. His first range for Wedgwood came out in 1933 and he designed for them with huge success during the 1930s and 40s. Although few of his pieces were produced in the 1950s and 60s, he remained a consultant for Wedgwood until 1969.

Murray’s designs are now iconic and to many he is considered one of the pioneers of the Art Deco style. He produced designs that were very simple; they were bold, modernist pieces produced with clean lines where form was integral to decoration, clearly drawing from his architectural training and his belief that good design should show common sense. A large number of designs included the ribbing or fluting effects which became a signature style of his.

Keith_Murray

Murray designed pieces primarily in green, moonstone (white), straw yellow and blue. Blue is a particularly desirable colour, although this colour was often glazed unevenly so good, even examples realise the highest prices but black basalt is by far the rarest and most sought after colour he worked with. He worked with three glazes; matt, semi-matt and celadon satin and almost all of his work was marked with a backstamp; there is both a ‘KM’ mark and a signature mark used.

Senior Valuer Michael Dowse

For more information or if you have similar items, please get in touch with us, full details can be found on our company website