Twice each year I think about the candelabra, once at Christmas and once at Easter. Both are times of celebrating and what better way to celebrate anything than to bring out the candelabra.
Candelabra follow the styles of the candlestick, but they are rare before the late 18th century and if found will generally only have two detachable arms. By the end of the 18th century candelabra
are more common and fashion dictated that the number of arms found on their detachable tops increased, initially to three but by the middle of Victoria’s reign five, six and more were common.
The three branch candelabra was a common sight by the end of the 18th century. These were tall and they grew in size until their peak in the Regency period. The decoration, as explained, followed the candlestick and around this time decoration of fluting was enclosed by beaded borders.
It is important to ensure that the decoration of the main body matches that of the detachable branches, therefore ensuring the candelabra is all original and not a marriage of two parts. As in life there are good and bad marriages, but with the candelabra ever a top and bottom living together in complete love and perfect harmony will never be as good as a completely original example.
On the early candelabra the branches could be removed and the central stem used as a candlestick. On later examples this dual usage was impossible because the stems grew too high and the nozzles too wide to hold a candle.
Senior Valuer Michael Dowse
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